cinema obscura: Sir Carol Reed's "The Public Eye" (1972) and Brian G. Hutton's "The Pad (and How to Use it)" (1966)

In 1964, two delightful one-act plays by Peter Shaffer opened on Broadway, titled "The Public Eye"/"The Private Ear."

Or perhaps it was the other way around.

Shaffer also wrote "Equus," "Amadeus," "The Royal Hunt of the Sun" and "Five Finger Exercise," all plays eventually made into movies.

Universal, which was busy in those days scouting Broadway productions, immediately snapped up the film rights to "The Public Eye"/"The Private Ear" and then didn't know what to do with two one-act comedies. Both were eventually made into very pleasing, if little-seen movies.

















"The Private Ear" was filmed by Brian G. Hutton in 1966 and retitled "The Pad and How to Use it" - a title inspired a little too obviously by Richard Lester's successful "The Knack and How to Get It."

It's thin but appealing plot - about a shy man who finally has the nerve to approach a woman while at a concert, only to lose her to his more dashing friend - provided material in which the film's young stars: Britain's Brian Bedford as the nerd, James Farentino (above) as the dashing hunk and especially Julie Sommars as the girl - truly excelled.

Essentially a glorified TV movie that was released, albeit briefly, to theaters, "The Pad and How to Use It" deserves to be rescued and seen.

"The Public Eye," finally filmed in 1972, had better luck.

Well, sort of.

It was adapted for the screen by Shaffer himself and directed by the estimable Sir Carol Reed.

In it, a dull British banker named Charles (played by Michael Jayston) hires Julian Cristo (Topol), an odd, eccentric private detective, to follow his American wife, Belinda (Mia Farrow, above), whom he suspects is cheating on him. (The film was titled "Follow Me" in all other countries, except the United States, which honored Shaffer's original title.) When Belinda becomes aware that she is being followed, she's flattered by the attention and starts to play games with her potential paramour. The private eye figures everything out - that the wife isn't unfaithful at all, but merely looking for something that her husband isn't providing - but that she's getting from him.

"The Public Eye" made it into theaters - but just barely. Universal opened in unannounced and without any advance critics' screenings.