cinema obscura: James Frawley's "The Christian Licorice Store" (1971)

Beau Bridges, one of my favorite actors, mades waves as a would-be hippie in his breakthrough film, the otherwise awful "For the Love Of Ivy" (1968).

Hollywood noticed - well, at least Norman Jewison did - and responded with two lead roles in a couple of promising titles, Jewison's "Gaily, Gaily" (1969) and Hal Ashby's "The Landlord" (1970), produced by Jewison. Both are really fine, dissimilar films, but in their day, each came and went, without making much impact.

Then something happened that can be described as only bad karma. Bridges made two films that virtually no one saw - Philip Leacock's Austalian-made "Adam's Woman," a 1970 film which Warners never bothered to release, and James Frawley's ultra-trendy "The Christian Licorice Store," which played only in Boston in 1971 and then was promptly shelved by the now-defunct Cinema Center Films.

"The Christian Licorice Store," the more intriguing of the two, opened November 24th, 1971 at Boston's Paris Cinema, and the Boston Globe dismissed it as "flat."

I caught up with it in New York in 1977 when exhibitor extraordinaire, the late Ralph Donnelly, opened it for a week at his First Avenue Screening Room as part of a series of hard-luck, unreleased films (which also included Paul Bartel's "Private Parts," a guilty pleasure that's still missing). Anyway, I liked it, but frankly, much of my appreciation for "The Christian Licorice Store," written by Floyd Mutrux, had everything to do with the fact that I was rooting for Beau. And for Gilbert Roland, that incorrigible veteran actor who was making something of a comeback - or at least trying to.

In it, Bridges plays Franklin Cane, a professional tennis player whose mentor/trainer is Jonathan (Roland), who himself was once a great tennis champ and now is intent on molding Franklin into his own likeness.

Much of the film follows Franklin through the celebrity territory of non-stop parties, where he meets a celeb photographer (model Maud Adams in her film debut) and where he abandons himself to a hedonistic lifestyle, crippling his future.

"The Christian Licorice Store" includes one wild sex scene (staged on a trampoline) and several notable cameos - by then-budding actor Allan Arbus and by filmmakers Jean Renoir and Monte Helman. Yes, very trendy.

I've no idea who or what owns this film now, as Cinema Center went kaput. Other titles in its library were bought up by other studios. But this one has been missing in action just about ever since it was completed.

Hopefully, someday, it will be unearthed - hopefully for Beau, who is in his prime here as a promising young actor with movie-star allure to spare.

Note in Passing: Frawley followed "The Christian Licorice Store" with Dennis Hopper's "Kid Blue" (1973) and the Joe Bologna-Stockard Channing romp, "The Big Bus"(1976) before finally hitting it big with "The Muppet Movie" (1979). Of late, he's been directing mostly TV stuff.

Note in Passing: Ralph Donnelly died on September 21st at age 75 at his home in Oldsmar, Fla. Among his many exhibition triumphs in New York was his stint as president of Cinema 5 theaters, the Gotham chain created by Donald Rugoff.

Cinema Obscura is a recurring feature of The Passionate Moviegoer, devoted to those films that have been largely forgotten. Suggestions welcome.

(Artwork: Poster art for James Frawley's ill-fated "The Christian Licorice Store," Beau Bridges in action, and Bridges with co-star Maud Adams)

* * *

Anyone interested in perusing some 2060 of my film reviews, dating back to 1994, can do so by simply going to RottenTomatoes.Com